The preservation and advancement of knowledge have been fundamental to the Gallery’s work since the founding gift of artworks that led to its opening in 1864. Equally important, the Gallery’s conservation staff are finding new ways to study the collection, yielding fresh insights about a wide range of objects and the artists that produced them.
Projects: Recent and Ongoing
TEFAF Museum Restoration Fund
As one of the 2024 TMRF recipients, the Gallery will restore The Crossing of the Red Sea by Italian Renaissance artist Ludovico Mazzolino. Find out more about the TEFAF project here.
Getty Fellowship Conservation Project
Conserving Canvas is an international grant initiative focused on the conservation of paintings on canvas, and we are delighted to be the recipient of a grant. Find out more about this exciting conservation project.
Guercino Research and Conservation Project
The Paintings Conservation Department at the J. Paul Getty Museum embarked on a collaborative conservation treatment and research project centred on one of the National Gallery of Ireland’s masterpieces, Jacob Blessing the Sons of Joseph by Guercino. Explore the completed Guercino project.
Lavinia Fontana Conservation and Research Project
The Gallery has been awarded funding under the Bank of America Art Conservation Project 2018 to support the conservation of Lavinia Fontana's painting The Visit of the Queen of Sheba to King Solomon. Find out more about the Fontana project.
Murillo: The Prodigal Son Restored
Six remarkable paintings by Bartolomé Esteban Murillo (1617–1682), depicting the parable of the Prodigal Son, were conserved and researched at the National Gallery of Ireland. Find out more about the Murillo project.
Monet Conservation Project
In June 2012 Monet’s Argenteuil Basin with a Single Sailboat was badly damaged following vandalism by a member of the public. Our conservators embarked on an 18-month conservation project.
Maclise Conservation Project
In 2010, the Conservation Department embarked on an enormous task - the restoration of one of the Gallery's most beloved (and largest!) paintings, The Marriage of Strongbow and Aoife. Find out more about the Maclise project.