Conservation work on the Battle of the Boyne. © National Gallery of Ireland
© National Gallery of IrelandCredit

Conservation and Research Projects

The preservation and advancement of knowledge have been fundamental to the Gallery’s work since the founding gift of artworks that led to its opening in 1864. Equally important, the Gallery’s conservation staff are finding new ways to study the collection, yielding fresh insights about a wide range of objects and the artists that produced them. 

You can explore some of our Conservation Department's recent projects below:

Claude Monet (1840-1926), 'Argenteuil Basin with a Single Sailboat', 1874. © National Gallery of Ireland.

Monet Conservation Project

In June 2012 Monet’s Argenteuil Basin with a Single Sailboat was badly damaged following vandalism by a member of the public. Our conservators embarked on an 18-month conservation project

Find out more (PDF)

Perugino Restoration Project

Perugino's The Lamentation over the Dead Christ was recently the focus of an extensive restoration project.

Find out more

Detail from Perugino's 'The lamentation over the dead Christ' showing the figure of Nicodemus after cleaning, but before restoration.
Getty Paintings conservator Devi Ormond cleans Guercino's 'Jacob Blessing the Sons of Joseph', c. 1620. Photo © Getty Museum

Guercino Research and Conservation Project

The Paintings Conservation Department at the J. Paul Getty Museum has embarked on a collaborative conservation treatment and research project centred on one of the National Gallery of Ireland’s masterpieces, Jacob Blessing the Sons of Joseph by Guercino. 

Explore the ongoing project here 

 

The Battle of the Boyne Conservation Project

A major project launched in collaboration with Malahide Castle in 2015.

Find out more (PDF)

 

Jan Wyck (1644-1702), 'The Battle of the Boyne', 1693.
Daniel Maclise (1806-1870), detail from 'The Marriage of Strongbow and Aoife', c.1854. © National Gallery of Ireland.

Maclise Conservation Project

In 2010 the Conservation Department embarked on an enormous task - the restoration of one of the Gallery's most beloved (and largest!) paintings, The Marriage of Strongbow and Aoife.

Find out more