The National Gallery of Ireland Unveils Four New Portraits for the National Portrait Collection

• Celebrating Icons of Irish Culture

The National Gallery of Ireland is proud to unveil four new portraits that honour individuals who have shaped—and continue to shape—Irish culture. These additions to the National Portrait Collection present artists' powerful interpretations of iconic figures, from musicians to athletes. Together, they celebrate the diversity of their subjects and the vibrant richness of contemporary visual arts in Ireland.

Hugh O’Conor (b. 1975), Sinéad O’Connor – 8 Good Reasons (2014)
Taken during the making of the music video for the single 8 Good Reasons in late 2014, this portrait by Hugh O’Conor (b. 1975) captures Sinéad O’Connor near her home in Bray, County Wicklow. The image is bathed in crisp winter light, lending it a heightened realism and immediacy. Dressed in leather trousers and priest’s garb, O’Connor’s theatrical presence shines through. The song, a deeply personal meditation on struggle and survival, was filmed in part on an old bus that evoked memories of her childhood. During the shoot, O’Connor burst into laughter as she tried to keep up with a sped-up version of the track for slow-motion shots—a moment that embodies her wit and warmth. Now, in the wake of her passing in 2023, this portrait takes on a poignant significance, as a lasting tribute to an artist whose music and spirit continue to inspire.

Andrew Catlin (b. 1960), Shane MacGowan, Filthy McNasty’s Bar, London, (2001) 
This portrait of Shane MacGowan by renowned photographer Andrew Catlin (b. 1960) was taken in 2001 at Filthy McNasty’s pub in London, where MacGowan was a regular. Seated at his favourite table with his customary two drinks, MacGowan is captured in a moment of quiet reflection, cutting a figure at odds with his larger-than-life public persona. The piper painted on the wall behind him seems to channel music into his mind, adding a poetic dimension to the image. Catlin photographed MacGowan, an elusive figure—particularly when it came to public engagement—numerous times. This photograph, both intimate and humorous, provides a counterpoint to the many animated studies of the musician. Taken after a shoot for the book A Drink with Shane MacGowan, the portrait demonstrates Catlin’s ability to reveal the depth and complexity of his subjects—an approach that has defined his career in documenting iconic figures in music and culture.

Paul Stuart (b. 1971), Johnny Sexton, rugby player (2023)
This portrait by Paul Stuart (b. 1971) presents Johnny Sexton in a moment of quiet intensity, reflecting the determination and focus that defined his remarkable career. Taken as part of a series for Sexton’s autobiography Obsessed (2024), the image showcases Stuart’s mastery in capturing both his external strength and inner drive. The stark lighting and intimate composition create a sense of depth, allowing the viewer to connect with Sexton’s persona, beyond the public figure. As one of the most iconic figures in Irish rugby, Sexton’s portrait highlights his iconic status. This acquisition adds a powerful piece to the collection, capturing not only the legacy of an athlete but the emotional weight of his achievements.

Salvatore of Lucan (b. 1994), Paul McGrath (2024)
Salvatore of Lucan’s portrait of Paul McGrath (2024) captures the essence of one of Ireland’s greatest footballers with subtle symbolism. Commissioned by the National Gallery of Ireland as part of the 2021 Portrait Prize, the work, which presents McGrath in a quiet space, speaks to his humble, shy and down-to-earth nature. A black pearl, referencing McGrath’s affectionate nickname, and three glass sculptures—representing his ties to Manchester United, Aston Villa, and the Irish national team—stand prominently within the composition. McGrath’s close relationship with his mother is also honoured with her photograph situated prominently within.  The portrait’s thoughtful use of elements, including a fire that serves as both a heart and an eternal flame, invites the viewer into a space reminiscent of a theatre set. Through this layered symbolism, the portrait not only honours McGrath’s iconic football career but also touches upon themes of identity, nationalism, and the quiet strength behind the legend, celebrating both his remarkable achievements and enduring impact on Irish football.

ENDS

Media Contacts:

Contact [email protected] for more information

Notes to Editor:

Dr Caroline Campbell, Director of the National Gallery of Ireland, is available for interview.

2025 Exhibition Listing 

Ludovico Mazzolino: The Crossing of the Red Sea
15 February – 06 July 2025
Sir Hugh Lane Room

Mainie Jellett and Evie Hone - The Art of Friendship
10 April – 10 August 2025
Lower Beit Wing, Rooms 6-10

An Artist’s Presence
17 May – 15 September 2025
The Print Gallery

Maurice Marinot – On Paper, In Glass 
02 August 2025 – 25 January 2026
Sir Hugh Lane Room

Créatúir na Cartlainne | Tails from the Archive 
Opening Summer 2025
Room 11

Picasso: From the Studio
11 October 2025 – 22 February 2026
Lower Beit Wing, Rooms 6-10
Organised by The National Gallery of Ireland in collaboration with the Musée national Picasso-Paris. 
Proudly supported by KPMG Ireland, Exhibition Partner

AIB Portrait Prize 2025 and AIB Young Portrait Prize 2025
7 November 2025 – 15 March 2026
The Portrait Gallery

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